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| Symbol | Artist's Name |
| AB | Alex Begay |
| AJ | Alvin Joe |
| AL | Althea Latome |
| Al Yazzie | Albert Yazzie |
| AV | Alvin Vandever |
| AM | Angeline Miller |
| AC | Anita Castillo |
| AP | Arthur Platero |
| A or what looks like 2 crowns side by side in a crescent shape | Annie Chappo |
| AY | Arthur Yazzie |
| BH | Barbara Hemstreet |
| BJ | Barbara Johnson |
| BB | Ben Begaye or Bernice Begaye |
| BE | Ben Etsitty |
| BR or Claw Symbol | Bennie Ration |
| BBF | Berna Francsico |
| BJ | Bessie Jake |
| BL | Joyce Francisco |
| BL | Bill Francisco |
| BW | Balinda Woody |
| /PZ | Bobby Piaso, Sr. |
| BR | Brian Francisco |
| BF | Burt/Kathy Francisco |
| CF | Consuelo L. Francisco |
| C.B. | Corline Baca |
| O.B. | Curtis Benavidez |
| DT | Delores Toledo |
| EB | Emma Bighand |
| EB | Edith Barney |
| EG | Elizabeth Guerro |
| E. Yazzie | Evelyn Yazzie |
| FB | Fred Baca |
| FR | Freddie Ramone |
| FC or F. Charley | Freddy Charley |
| FC | Fredrick Chavez |
| GB | Garrison Boyd |
| GC | Geneva Chavez |
| GG | Gertie Ganadonegro |
| GGJ | Gary Johnson |
| GW | Genieve Werito |
| GY | Geraldine Yazzie |
| HB | Harold Becenti |
| HL | Helen Francisco |
| HG | Henry Ganadonegro |
| HM | Henry Mariano |
| HP | Herbert Pino |
| IP | Irene Platero |
| LD | Lawrence Delgarito |
| L | Jeff Largo |
| LTB | Loren Thomas Begay |
| JD | Jeremy Delgarito |
| JDE | Jones Delgarito |
| J. Nelson | John Nelson |
| JN | Johnathan Nez |
| JJ | Johnny Johnson |
| JG | Johnson Gluerro |
| JP | Juan Pino |
| KF | Kathy Francisco |
| E | Kenneth Etsitty |
| KN | Kirby Nez |
| L. Ganado | Rose Ganadonergo |
| LP | Lena Platero |
| LN | Leonard Nez |
| LS | Lorenzo Secatero |
| L.U. | LaRose Ganadonergo |
| MP | Margaret Platero |
| MR w/Bear Symbol | Merie Ramone |
| M. Cheatham with a broken arrow on top | Michael Anthony Cheatham, Echota Cherokee |
| NC | Nila Cook |
| PP | Peter Padilla |
| P Sanchez | Phillip Sanchez |
| RG or RAMONA | Ramona Guerro |
| RIG | Reda Guerro |
| RF | Rosalina Francisco |
| RD | Rose Draper |
| RL | Robert Livingston |
| RJ | Rosita Jake |
| JS | Sampson Jake |
| S.B. | Shirley Baca |
| SB | Sheila Becenti |
| SJ | Selina Jake |
| SW | Sampson Werito |
| TC (what looks like a crescent moon instead of a full C) | Ted Castillo, Navajo |
| T.M.P. | Theresa Apachito |
| T.J.V. | Thomas Valencia |
| TG | Timothy Guerro |
| TG | Tony Garcia |
| VB | Vivian Barbonz |
| VBZ | Virgil Bzgay |
| V.C. | Victor Chavez |
| VE | Victoria Eriacho |
| VJ | Verdy Jake |
| VT | Vera Tsosie |
| A mushroom stamp | Royce Carter, Miami Tribe, Oklahoma |
Here are a few of our Native American artists bios. Most of our artists are very private people and prefer not to post their information online, I can't say that I blame them.
Freddy Charley, by Freddy Charlie
Born and raised in Shiprock, New Mexico. Grew up among ten siblings, 3 older sisters, 3 older brothers, 2 younger sisters, and 2 younger brothers. Father is deceased survived by my mother who weaves Yei-bi-chei rugs. My parents brought us up with Navajo traditions and at the same time encouraged us to get a good education.
Graduated in 1981 from Shiprock High School then moved to Albuquerque, New Mexico. Took Diesel mechanic classes at TVI and graduated in 1984. Worked in the field of Diesel mechanic for about ten years. Worked at the same time practicing how to make and buff jewelry.
I met my wife Rena in 1984 and now we have 3 boys’ ages 17, 11, and 15 months old. Rena got me into the jewelry business because her family was in the jewelry business doing piecework .
I got started by buffing and polishing for my mother-in-law. Later I got a buffing job and learned how the pieces were put together. Soon I Worked my way up to a silversmith position with my welding skills and my artistic talents. I get my ideas from attending different tribal dances and going to all sorts of art shows. My favorite pieces are the 3 dimensional one-of-a-kind kachinas among contemporary jewelry. I also work with gold and learning how to perfect in-lay work. Making masters for casting is also my specialty.Tony Garcia was born in Laguna, New Mexico, a small Native American village near Albuquerque, New Mexico.
As a young man, Tony joined the United States Marine Corp. He served for three years, two of which he was stationed in Japan.
Tony began to learn silversmithing by watching his brother-in-law at a young age. He watched him make jewelry and get paid for it. He saw how his brother-in-law used his tools and melted the silver. Then Tony tried it for himself. He melted the solder of tin cans and used it to practice silverwork. At first he made plain bracelets from strips of silver set with a turquoise stone and decorated with stamp designs. His skills increased until he was proficient in most silversmithing techniques. He has made many forms of silverwork that he could sell, from candlesticks and bowls to all types of jewelry. He has used these silversmithing skills for nearly 40 years.
Tony’s talent and skills combine to create beautiful, unique jewelry. He is a master at creating fascinating jewelry and has made a profound impact on the appreciation of contemporary Southwestern jewelry.
Tony and his wife currently live on the Native American Reservation in the village of Tahojiillee, New Mexico. He has three sons and one daughter.Kathy Yazzie was born and raised in Gallup, New Mexico on the Navajo reservation. Kathy learned to make silver jewelry from her parents, both skilled artisans, too young to practice with silver she was turned loose to practice on tin, mostly old tin cans. She soon began to develop her own artistic designs and styles.
Kathy’s family ties have heavily influenced her artistic development. Her family stressed the importance of productivity, while insisting on high quality.
Kathy worked in Gallup at a number of trading posts before moving to Albuquerque, New Mexico to work with a silver jewelry manufacturer designing and making her traditional styles.
Traditional styles are her favorite type of jewelry to make. She usually starts with the turquoise stone and designs the article of jewelry around it. Therefore, jewelry of simple designs are chosen to show the turquoise to its best advantage.
Occasionally she creates a number of one-of-a-kind pieces, but prefers to do the more traditional styles.
The charm of Kathy’s traditional style continues to enthrall jewelry buyers all over the world. Back to bio list
Larson Lee (Navajo) was born in 1960 in Lukachukai, AZ on the Navajo Reservation. He is one of twelve children; he has 4 sisters and 7 brothers.
His grandfather Joe Lee was a well known silversmith and medicine man. As a small child Larson would travel across the country dancing at pow-wows with his grandfather as far away as San Francisco to Chicago. There is a large drawing of his grandfather (Joe Lee) in a museum in San Francisco, as well as post cards of him sitting in a Hogan (Navajo house).
Larson used to watch his grandfather design and create his sterling silver jewelry pieces as a child. Later when Larson went off to school, he took classes in general silver working techniques. He used brass at first to practice, he started with small pieces and worked up to larger and more intricate pieces. He inherited not only the skills and inspiration from his grandfather but his tools of the trade when he passed. Larson has designed everything from boot tips to a belt buckle for Bob Hope. His work can be seen in the 1989 summer issue of National Geographic magazine where they featured Native American Jewelry and a squash blossom he made. He is not limited to just working with silver, he likes to design pieces in gold also. He keeps tradition and modern design in mind when he creates individual unique pieces using his native artistic skills.
Larson hobbies include dirt bike riding, working on muscle cars and bronco riding in Native American Rodeos. He also enjoys running 22 miles up the mountain near his home at least 2-3 times a month. Back to bio list
I was born in 1956 in Socorro, New Mexico, and I’m a member of the Sagebrush clan from my mother’s side and Edgewater clan from my father’s side. As a young child I grew up traveling through out Texas, Arizona and Colorado. My family eventuality settled on the Navajo reservation near Tohajiilee, NM, where I attended school through the 11th grade.
I was introduced to traditional Indian jewelry at a young age by watching my family. By the age of 17 I started designing and making my own jewelry.
I’ve always felt that my creativity came to me naturally and it was a gift given to me.
I have 6 children, 5 girls and 1 boy and 24 grandchildren who bring me a lot of joy. I still find time to continue making fine sterling silver and turquoise jewelry and continuing the Jake name and reputation.
I truly hope you enjoy the feelings that emulate from my creations.
Thank You
Lucy Jake Back to bio list
Phillip was born at San Felipe, Pueblo in New Mexico in 1951. He was raised on a large ranch along with 8 sisters and 5 brothers together they tended all sorts of live stock and farmed lots of fresh fruits and vegetables. He has stayed close to his roots with live stock of his own, and he still enjoys horseback riding to check up on his live stock or just go for a ride at sunset.
His father made turquoise necklaces from natural nuggets to sell, but it was his older brother who got him interested in silver work. Phil started to work with silver in junior high school. It was there he learn the basics of jewelry making and crafting. He continued to work on jewelry through out his high school years perfecting his technique. His brother and father instilled in him to always stay true to his culture, and that shows in his jewelry designs where he uses clouds and rain along with other symbols which can also be seen on baskets and pottery from his pueblo.
Phil loves to travel and see different parts of the country. In his travels he has traveled to Canada a number of times. He also likes to go fishing, hunting and just about any activity that gets him outdoors. He speaks a number of Native American pueblo dialects including San Felipe, Santa Domingo, Acoma, Zia, Luguna and Cochiti. Back to bio list
Michael Anthony Cheatham, by Michael Anthony Cheatham
Michael is an enrolled member of the Echota Cherokee, a State recognized Cherokee Band, and an Artist member of the Indian Arts and Crafts Association. He holds membership in ATLATL, a National Service Organization of Indian Arts and Artist.
Michael creates one of a kind, hand fabricated, sterling silver and 14kt gold jewelry. His jewelry can be found in Santa Fe, New Mexico at the Michael Wigley Galleries, LTD., in Prescott, Arizona at the Phippen Museum of Western Art and in Snohomish, Washington at the Northwest Native Designs Art Gallery. We, at Southwest Affinity, are lucky to be able to retail some of his product line. Michael says,
My jewelry is inspired by the many colors and textures found in the natural world, by the beauty of the mountains and of the deserts and by my heritage. Cherokee people were experts with copper and silver, along with other materials, long before Columbus sailed toward these shores. I have always been proud of my heritage and jewelry making is in part an expression of that pride.
Being a contemporary jeweler Michael showed interest, at an early age, in this craft but never had the opportunity to explore these interests until later in life. In 1990 he signed up for the colored stones course at GIA (Gemological Institute of America). In 1995 Michael took classes in Silversmithing and lost wax casting. In that same year he received the Gemologist Diploma from the GIA. In 1998 he studied in a workshop under noted Navajo Jeweler "Richard Tsosie". In 1999 Michael began teaching Silversmithing classes.
Michael's jewelry can be found in Fine Art Galleries and Museums in Sedona, Prescott and Tucson Arizona, Santa Fe, San Diego, Block Island, Atlanta and in private collections worldwide.
Michael lives in Spring Valley California with his Fiancée Brandy and his 18 year old son Aaron. He won 2004s 1st place, in the Metal Jewelry division at the 2004 San Diego Museum of Man Indian Market.
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